Tasnadi’s artistic credo can be consulted in a number of variations and places. These suggest that Tasnadi had tried to avoid to live the life of an artist but – since his approaches of the world has always been poetic – art making ended up being his main practice and means of understanding and living life. He is most interested in concept art and the dematerialization and re-materialization that are related to it. In Tasnadi’s case art making is not a profession but the technology of life.
Somewhere he writes that art is not important. Or, it is not art that is important.